Urban Exuberance!

In the Heights – 2021 – PG13

Finally!! In the Heights hit the theaters and won our hearts! For a a year and a half our neighborhoods represented doom and gloom, glaring danger zones, In the Pits! The summer opening of Lin Manuel Miranda’s new film “In the Heights” matches perfectly the summer reopening of American society. Heck, while I didn’t dance up and down the aisles of Trader Joe’s this week, I didn’t have to stand on a socially distanced X waiting to check out. While I didn’t somersault into the community pool, I didn’t have to wear a mask on the pool deck. Yep, all good, a happy dance in my head. Community coming alive! 

Meet New York’s Washington Heights, a vibrant, diverse, multigenerational community fighting to stay alive.  Count up the international flags during the “Carnaval del Barrio” number and you will appreciate the cultural mix of this Upper Manhatten neighborhood. Members of the Puerto Rican, Dominican, Mexican and Cuban communities take turns waving their flags during this show-stopping, dazzling, eye-candy number. Facing inevitable gentrification, the characters hang tenaciously to their sueñitos, little dreams—but face the vexing, perennial question, do I stay or do I go? For some, like boisterous beauty shop owner Daniela facing steep rent increases, moving to the Bronx is the answer. While for others, like our Heights bodega hero, Usnavi, does the dream lay in his Dominican island homeland or on Manhatten Island?  Nina, the rising pride of the neighborhood, comes home—and intends to stay there—escaping an unkind, unwelcoming year at Stanford. Then challenged by the fate of undocumented, lovable dreamer Sonny, Nina weighs returning for that equally vexing “greater good” sacrifice. Abuela Claudio, matriarch and surrogate grandmother to many, must choose life or life hereafter.  Vanessa, aspiring fashion designer, can’t wait to race away only to fall….in love….and well, that’s really what this movie is about: friendship, loyalty, gratitude…old world values in new world realities. Merengue and salsa verve infused into hip hop, rambunctious razzle dazzle. There are undercurrents of racism, politics and poverty but there are no villains here. In the Heights skirts around  those potentially and realistically crushing themes. We get relationship over rebellion, bonding over breaking. Activists will lament missed opportunity. There is probably some truth there but for sheer movie magic and the 143 minute run time, yep, all good.

For classic musical film buffs, old world cinema school infiltrated this fabulous flick. Nina and Benny’s spectacular tenement wall waltz stands on the shoulders of Fred Astaire in Royal Wedding (1951) or Donald O’Connor’s Make ‘em Laugh number in the best musical ever made, Singin’ in the Rain (1952). In the “96,000” and it’s 600 extras swimming pool number, check out Esther Williams and any of her MGM 1950’s elaborately staged synchronized swimming movie scenes. They do make ’em like this any more! Enjoy!

Disney Defrost

Frozen 2 – 2019 – PG

First let me say that if I am ever given the chance to come back in a future life I want to be Idina Menzel— as long as John Travolta never introduces me. If you are blanking on what I’m talking about, cue up Travolta at the 2014 Academy Awards introducing Menzel’s performance of Frozen’s Let It Go (which took home the Oscar for Best Song). Her voice is divine, a Heavenly treat, ear candy….add your superlatives. I did enjoy a few songs from Frozen 2 but most left me wishing I’d subscribed to the new Disney Plus service on my Apple TV so I could stream Frozen the original and just keep replaying Let It Go. Tip: be sure and stay through the credits so you can hear Kacey Musgraves sing All is Found. It’s already #1 on my iPhone Frozen 2 song list. Plus there is a funny Olaf and friends bonus clip at the very, very end, yes, after the “Caffeinated Team” listing. What is that? Starbucks runners? 

The musical show stopper was a mother/daughter duet, Show Yourself, featuring Idina Menzel (Elsa) and Evan Rachel Wood (Queen Iduna) at a carpe diem turning point for Elsa. Tracking a mysterious lilting voice, Elsa travels beyond the kingdom of Arendelle in order to discover the source of her magical powers and to learn the truth about her family’s past. Show Yourself musically accompanies Elsa on her dangerous journey, peaking as she plunges into the raging Dark Sea. There she encounters and tames the Nøkk, a water spirit that shapeshifts into a magnificent white stallion and brings her safely to Ahtohallan. Show Yourself is #2 on my song list. That’s it. A short hummable set. Perfect.

Ultimately Elsa, Anna, Sven, Olaf and Kristoff together will be called upon to set things right as it relates to the neighboring tribe of Northuldra and, in doing so, save Arendelle. Elsa’s quest for self-discovery, Anna’s sisterly protection of Elsa, Kristoff’s romantic pursuit of Anna and the unfortunate melt-down of Olaf all factor into a fairly complicated Frozen mythology of kings, queens and kingdoms; enchanted forests, trolls and spirits; and, personification of elements—Fire, Air, Water, and Earth. There are so many new characters and creatures introduced in this sequel that if (when) there is a Frozen 3, CliffsNotes will be sold as a popular concession item right beside popcorn and Skittles. 

The Frozen 2 animation and cinematography was exquisite and dazzling at times—the Earth Giants, the Nøkk, and Elsa’s frozen magical moves are prime examples. At other times, the technology was not so splendid. Olaf reminds me of a craft kit of cotton balls and toothpicks designed to be an easily manufactured stuffed animal. Bruni, a sweet, tiny salamander is super cute but so simple it would go well as a black line master in a Frozen 2 toddler’s coloring book. The ice sculpture images are reminiscent of a Macy’s Christmas Window themed around Department 56 Snowbabies. The last fifteen minutes of the film salvaged a tedious first half snooze fest. IMHO Disney can do better.